|
Nage Waza |
Throwing Technique |
Notes |
|
De Ashi
Harai |
Advanced Foot Sweep - also Forward Foot Sweep |
Tori forces Uke to step forward, then sweeps the advancing foot out
from under him/her. Timing is crucial.
Uke must be on the verge of placing weight
on the foot that is being swept. |
|
Hiza Guruma |
Knee Wheel |
After breaking Uke’s balance to their right front corner, Tori places
his/her left foot on Uke’s right kneecap and throws
Uke over it.
The foot should be curled and placed just on the outside of the
knee. Do not force Uke’s
knee back. Throw is to Uke’s right front corner - Tori’s
left back corner. |
|
Sasae Tsurikomi Ashi |
Propping Drawing Ankle Throw - also Supporting Foot Lift Pull Throw |
Tori breaks Uke’s balance to their right front corner and throws Uke by blocking Uke’s right leg
with the left foot. Tori’s sole should be placed just above Uke’s ankle. |
|
Uki Goshi |
Floating Hip
Throw |
Tori breaks Uke’s balance to their right front corner, loads Uke on his/her hip and throws using a twisting
motion. Throw differs from O Goshi
in that Tori does not bend knees and raise hips or
bend forward. |
|
Osoto Gari |
Major Outer
Reaping Throw - also Large Outer Reap |
Tori breaks Uke’s balance to their right back corner, causing them to
shift all their weight towards their right heel. Tori reaps Uke’s right leg with his/her right leg throwing Uke to the right back corner (Tori’s
left front corner). |
|
O Goshi |
Major Hip Throw - also Large Hip Throw |
Tori breaks Uke’s balance directly forward or to their right front
corner and loads Uke onto his/her hip. Bend knees on entry, raise hips and twist
to throw. |
|
Ouichi Gari |
Major Inner Reaping-also Large Inner Reap |
Tori breaks Uke’s balance to their left back corner and reaps Uke’s leg using a circular sweeping motion. Tori twists
his/her hips to the left while attacking so that he/she can insert their
right heel. Throw is to Uke’s left back corner, Tori’s
right front corner. |
|
Seoi Nage |
Shoulder Throw |
Morote - Two Arm
Using standard two
handed grip, Tori breaks Uke’s balance straight
forward or to their right front corner.
Tori pivots to the left, loads Uke
onto his/her back and throws over the right shoulder. Tori’s right
elbow should be placed under Uke’s right
armpit. Tori’s
hips must be lower than Uke’s belt - bend knees on
entry.
Ippon - One Arm Basic entry as above. Tori
releases right hand and passes his/her right arm under Uke’s
right arm. Grip on Uke’s
right arm must be tight and maintained for throw. Tori pivots to the left, loads
Uke onto his/her back and throws. Despite name, Uke
must not be loaded on shoulder of Tori. |
|
Nage Waza |
Throwing Technique |
Notes |
|
Ko Soto
Gari |
Minor Outer
Reaping Throw - also Small Outer Reap |
Tori breaks Uke’s balance to their right back corner (Tori’s left front corner). Tori throws Uke
backwards by reaping the right foot with his/her left foot from behind. Similar to O Soto Gari, but
Tori uses left foot to throw. |
|
Ko Uchi
Gari |
Minor Inner
Reaping Throw - also Small Inner Reap |
Tori breaks Uke’s balance to their right back corner (Tori’s left front corner). Tori throws Uke backwards by reaping the right foot from inside with
his/her right foot. Similar to O
Uchi Gari, but sweeps right foot of Uke
instead of left foot. |
|
Koshi Guruma |
Hip Wheel |
Tori breaks Uke’s balance to their front right corner, wraps right
arm around Uke’s neck and shoulder, places his/her
right hip solidly against Uke and throws Uke over it. |
|
Tsuri komi
Goshi |
Lifting Pulling
Hip Throw |
Tori breaks Uke’s balance to the front or their right front corner,
drops his/her hips to the level of Uke’s thighs,
keeps arms extended and raises hips throwing Uke
with lifting twisting motion. Tori’s right elbow should slide under Uke’s
left armpit. A variation is
Sode Tsurikomi
Goshi (Sleeve Lifting Pulling Hip) where Tori’s
right hand holds Uke’s left sleeve instead of the
lapel. |
|
Okuri Ashi
Harai |
Assisting Foot Sweep - also Sliding Foot Sweep |
Tori breaks Uke’s balance to their right side and sweeps Uke’s right foot towards their left one. This throw is normally practised moving
sideways. Stay loose and move
smoothly. |
|
Tai Otoshi |
Body Drop |
Tori breaks Uke’s balance to their right front corner, places his/her
right foot past Uke’s right foot, pulls strongly
with both hands (in standard grip position), and throws Uke
over the right leg. |
|
Harai Goshi |
Sweeping Hip |
Tori breaks Uke’s balance to their right front corner, pivots to his/her
left, pulls Uke onto his/her hip and sweeps with
his/her right thigh against Uke’s right thigh. This technique was devised as a means of
throwing an opponent who slips past your hip when Tori attempts Uki
Goshi. |
|
Uchi Mata |
Inner Thigh
Reaping Throw |
Tori breaks Uke’s balance to their right front corner, sweeping their
inner thigh with his/her right leg/thigh.
Tori executes the throw just as Uke’s weight is shifting to their left foot. |
JUDO THROW ANIMATIONS - Click Here
|
Nage Waza |
Throwing Technique |
Notes |
|
Ko Soto
Gake |
Minor Outer Hooking Throw - also Small Outer Hook |
Toru breaks Uke’s balance to their right back corner, hooks their
right ankle with his/her left foot and throws Uke
backwards (to Uke’s right back corner). This technique was developed as a variation
of Ko Soto Gari. |
|
Tsuri Goshi |
Lifting Hip
Throw |
Tori breaks Uke’s balance to the front and grabs their belt at the
back. Tori pulls
Uke onto his/her hip and throws Uke
forward by twisting. There are two
forms of this throw - Kotsuri
Goshi is better suited for small people where Tori passes
his/her right hand through Uke’s armpit. Otsuri
Goshi is better suited for larger people where Tori passes his/her arm over Uke’s
left arm. |
|
Yoko Otoshi |
Side Drop |
Tori breaks Uke’s balance to their right side, places his/her left
foot outside Uke’s right foot and throws Uke by to their right dropping to his/her left side. |
|
Ashi Guruma |
Leg Wheel |
Tori breaks Uke’s balance to their right front corner, pivots to
his/her left and extends his/her right leg across Uke’s
right knee, and throws Uke over the right leg in a
large circle. Tori’s
right leg should extend beyond Uke’s right knee. |
|
Hane Goshi |
Springing Hip |
Tori breaks Uke’s balance to their right front corner, pulls Uke onto his/her right hip and throws Uke
with an upward springing action of his/her right hip and leg combined with a
downward pull by both hands. Tori’s right knee should project past Uke’s
right leg so that hip, leg and chest makes full
contact with the front of Uke’s body. |
|
Harai Tsuri komi Ashi |
Lifting Pulling
Foot Sweep |
Tori breaks Uke’s balance to their left front corner, sweeps their
ankle with his/her right foot and throws Uke to
their left side. A simpler way to do
this throw is to step forward with the left foot, quickly bring the right
foot up near it, and sweep Uke’s left foot as Uke draws it back. |
|
Tomoe Nage |
Circular Throw |
Tori places
his/her left foot between and behind Uke’s legs, drops
backwards and places his/her right foot onto Uke’s
abdomen, and throws Uke back over his/her
head. Tori’s
hips should land just between/in front of Uke’s
feet. |
|
Kata Guruma |
Shoulder Wheel |
Tori breaks Uke’s balance to their right front corner, lifts Uke onto his/her shoulders and gently drops Uke to the mat (Uke should roll
off). Tori should step in as deeply as
possible with his/her right foot. The
back of Tori’s head should be at the level of Uke’s belt. |
|
Nage Waza |
Throwing Technique |
Notes |
|
Sumi Gaeshi |
Corner Throw |
Tori breaks Uke’s balance to their right front corner. Tori falls
back, places the instep of his/her right foot in the crook of Uke’s left knee and throws Uke
up over his/her head. |
|
Tani Otoshi |
Valley Drop |
Tori breaks Uke’s balance to their right back corner,
slides his/her left foot past the outside of Uke’s
right foot and throws Uke to their right back
corner. Tani Otoshi
differs from Yoko Otoshi in that the direction is to Uke’s right back corner rather than to one side. |
|
Hane Makikomi |
Springing
Wraparound Throw |
This technique
if a combination of Hane Goshi and Soto Makikomi. Tori breaks Uke’s balance to
their right front corner. While
executing Hane Goshi, Tori wraps Uke’s body around his/hers and falls to the mat. To effect the
wraparound, Tori releases the right-hand grip on Uke’s
lapel, and pins Uke’s right arm in his/her right
armpit. |
|
Sukui Nage |
Scooping Throw |
Tori breaks Uke’s balance to their left front corner, picks Uke up in his/her arms and drops Uke
to the rear. A good time to apply this
throw in competition is when Tori is moving forward
to grab Uke after being separated. Tori must execute the throw before Uke can establish a grip. |
|
Utsuri Goshi |
Shifting Hip
Throw |
This throw is a go no sen no waza
- a counter throw. After blocking Uke’s hip technique by bending the knees, Tori swings Uke up onto his/her hips and throws Uke
by twisting his/her hips as in O Goshi. To swing Uke up
high, Tori changes his/her right hand grip to Uke’s middle inner sleeve. The best timing is for Tori to catch Uke coming out of their technique. |
|
O Guruma |
Major Wheel - also Large Wheel |
Tori breaks Uke’s balance to their right front corner, places his/her
leg across Uke’s abdomen and throws Uke over it. The
throw differs from Harai Goshi in that it depends on the action
of the legs rather than the movement of the hips. |
|
Soto Maki komi |
Outer
Wraparound Throw |
Tori breaks Uke’s balance to their right front corner and pulls Uke in close, twists to his/her left in a circle so that Uke’s body wraps around Tori. When Tori falls
forward, Uke is sent over Tori’s
back. |
|
Uki Otoshi |
Floating Drop |
Tori breaks Uke’s balance to their right front corner. Pulling Uke
downwards with both hands, Tori causes Uke to fall
forward and down in a circle. The hand
motion used by Tori from beginning to end resembles a “J” motion. |
|
Nage Waza |
Throwing Technique |
Notes |
|
O Soto
Guruma |
Major Outer Wheel - also Large Outer Wheel |
Tori breaks Uke’s balance to their right back corner or straight
back, puts his/her right leg across the back of Uke’s
right knee, and throws Uke over it. Tori’s right leg
acts as the fulcrum. Motion is similar
to O Soto Gari, but without the reap. |
|
Uki Waza |
Floating Throw |
Tori breaks Uke’s balance to their right front corner, blocks Uke’s right foot with his/her left foot, and throws Uke over head by falling on his/her left side
(twisting). The throw is to Uke’s right front corner, Tori’s
left back corner. |
|
Yoko Wakare |
Side Separation |
Tori breaks Uke’s balance to their front and sacrifices him/herself
by dropping onto his/her back and left side.
Tori throws Uke
across his/her outstretched body. |
|
Yoko Guruma |
Side Wheel |
This technique
can be used to throw a person who bends forward in an effort to prevent being
thrown to the rear with Utsuri Goshi or similar technique. Tori slips his/her right leg in between Uke’s legs, drops to the right side and throws Uke over head. Tori’s left arm should go around Uke
and grip Uke’s belt. |
|
Ushiro
Goshi |
Back Hip Throw |
This throw is
used to counter a hip throw. Tori puts
his/her arms around Uke’s waist from behind, leans
backwards, swings Uke up in the air, and drops Uke on their back. |
|
Ura Nage |
Back Throw |
Tori puts both
arms around Uke’s right side, lifts Uke up and throws Uke over the
left shoulder as Tori sacrifices him/herself by falling backward. |